THURSDAY 17th NOVEMBER
9.00 INSCRIPTION
9.30 INSTITUTIONAL GREETINGS
Prof. Jacopo BONETTO, Direttore Dipartimento dei Beni Culturali:
archeologia, storia dell’arte, del cinema e della musica
Prof.ssa Federica TONIOLO, Coordinatrice Corso di Dottorato in Storia,
Critica e Conservazione dei Beni Culturali
Prof.ssa Monica SALVADORI, Vice Coordinatrice Corso di Dottorato in
Storia, Critica e Conservazione dei Beni Culturali e Prorettrice con delega
al Patrimonio artistico, storico e culturale
PANEL 1
Beyond the surface: survey technologies and execution practices
10:00 – Chair: Prof.ssa Maria PIETROGIOVANNA
Francesca Daniele, Fiorenza Redi (Università degli Studi di Padova)
A possible history of atramentum
Elisa Ercolin, Diego Elia, Patrizia Davit, Monica Gulmini (Università degli Studi
di Torino)
Beyond the visible. An interdisciplinary approach for the reconstruction of the technology of production of black-glazed pottery from Locri Epizephyrii
Paola Improda (Università degli Studi della Campania “Luigi Vanvitelli”)
Colantonio’s underdrawing of paintings in the Capodimonte Museum
Federica Stella Mosimann (Università degli Studi di Padova)
Beyond the visible: production processes and execution techniques revealed by some pictorial contexts from the Roman age
11.30 COFFEE BREAK
PANEL 2
Returning to knowledge: representations and reconstructions of invisible realities
12.00 – Chair: Prof.ssa Elena RANDI
Rachele Angela Bernardello (Università degli Studi di Padova)
Soft Boundaries. Techniques and methodologies to represent hypothesis about the cultural heritage
Marco Argentina (Università degli Studi di Padova)
Decrypting signs to restore dance
Chiara Casarin (Università degli Studi di Padova)
Defining the stylistic, formal, and aesthetic conception of Tartini’s violin concertos: an opportunity to reconsider Dounias?
13.00 DISCUSSION
13.30 LUNCH
PANEL 3
Interpreting traces: stories of works and contexts
15.00 – Chair: Prof. Sergio DURANTE
Clarissa Cammarata (Università degli Studi di Trento)
Liturgical-musical interlacings between Torino and Asti: the antiphons Claviger regni coelorum and Beati Joannis praecursoris
Antonella Manca (Università degli Studi di Udine)
Pacini’s long lost autographs: three versions for a tenor’s Scena e Aria
Francesca Cecconi (Università degli Studi di Verona)
The many lives of a puppet: rediscovering a character
16.00 COFFE BREAK
PANEL 4
Sewing up the fragments:
rediscovering and enhancing works and places
16.30 – Chair: Prof. Marsel GROSSO
Greta Plaitano (Università degli Studi di Udine; Université Sorbonne Nouvelle – Paris 3)
Photographic archives for the fine arts: the case of the Brera Academy of Fine Arts. Traces and paths to enhance a forgotten heritage
Andrea Chiocca (Università degli Studi di Padova)
Casa Arslan in Padua: an “unveiled” decoration
Francesca Galasso (Università degli Studi di Pavia)
In-Visible: the virtual fruition of lost places. Models, Settings and Digital Simulacra for the Memory Storytelling aimed at a shared experience of Heritage
Benedetta Colasanti (Università degli Studi di Firenze)
Beyond the illusion: the machines of the Farnese theatre in Parma (1628). Sources for a virtual reconstruction
18.00 DISCUSSION
FRIDAY 18th NOVEMBER
PANEL 5
Beyond borders: reading the relationship with otherness
9.00 – Chair: Prof.ssa Marta NEZZO
Elisa Puppi (Università Ca’ Foscari)
Palazzo Zen (1533-1553): a gateway to the Orient in Venice
Federica Bosio (Università degli Studi di Padova)
Fragments of Asia in Lamberto Vitali’s collection
Giulia Luciani (University College Cork)
French Women Orientalists in the Maghreb, 1899-1929: Uncovering the Hidden
Strategies of Colonial Orientalism
Rui Ji (Alma Mater Studiorum – Università di Bologna)
China’s participation in the Venice Biennale in the 1980s. Hidden Phenomena and Causes of Chinese Heterogeneity in Western Art History
10.30 PAUSA CAFFÉ
PANEL 6
Living in the landscape: unveiling the intertwining
between human community and environment
11.00 – Chair: Prof.ssa Caterina PREVIATO
Mirko Fecchio, Maurizio Marinato (Università degli Studi di Padova)
The invisible in the bones: paleodiet and paleoeconomy in the Early Medieval Rab
Francesca Tomei (University of Liverpool)
Unveiling the landscapes of the Greek rural world between agriculture and pottery
production
Agostino Sotgia (Università di Roma “La Sapienza”; University of Groningen)
From fields… to cities. Landscape archaeology’s techniques to discover the ancient actions of the first urban communities
Pietro Agnoletto (Università degli Studi di Milano-Bicocca)
New perspectives on home movie’s analysis. Italian seascapes through the tourist’s gaze
Ylenia Saretta (Università degli Studi di Padova)
Transformations and structural interventions unveiled by seismic events: the case of the 2016 Central Italy earthquake
13.00 DISCUSSION
13.30 LUNCH
PANEL 7
On the margins: hidden realities and alternative histories
15.00 – Chair: Prof. Guido BARTORELLI
Eliana Bridi (Università degli Studi di Padova)
Beneath the surface: the sewage network of Roman Verona
Serena Bellotti (Università degli Studi di Udine)
Beyond the Frame
Greta Boldorini (Università degli Studi di Padova)
Carla Lonzi and the Nineties: Notes for a Forgotten History
16.00 COFFEE BREAK
Romina Zanon (Università degli Studi di Padova)
The forgotten archive of Marcella Pedone: photographs and films of an identity journey through the landscapes of a lost Italy
Chiara Andreatta (Università degli Studi di Padova)
Invisible artifacts and domestic worship: the terracotta arulae. Two pompeian examples from the excavation at the upper level of the Sarno Bath Complex (VIII 2, 21)
17.00 DISCUSSION
POSTER DISCUSSION SESSION
17.30-18.30
Francesco Dragoni (Università degli Studi di Bari “Aldo Moro”)
Visual devices for specialist knowledge: from collecting to encyclopedism. A pictorial dictionary of musical life of every century and every nation by Mario Bellucci La Salandra (1892-1966)
Anastasia Kozachenko-Stravinsky (Università Ca’ Foscari)
Igor Stravinsky’s The Soldier’s Tale through time and meanings
Silvia Mascia (Università degli Studi di Udine)
Archival findings: the Totalrama as a national widescreen shooting and projection system
Chiara Pupella (Università Cattolica del Sacro Cuore di Milano)
Fortified medieval architecture and rural landscapes of power: the context of Alto Brembo in some case studies
Paola Ricchiuti (Università degli Studi di Bergamo)
The invisible Labyrinth – The Church of San Savino in Piacenza
Francesca Rigato (Università degli Studi di Milano Statale)
Milan’s underground theatres in the late 19th century and the first half of the 20th century
Claudia Sorrentino (Università degli Studi della Tuscia)
Stories of invisible archaeology. Discovery and recomposition of a Superintendence photographic archive
Gianantonio Urbani (Università degli Studi di Padova)
Indagini di microarcheologia presso il monte Tabor in Israele
Francesca Vella (Università degli Studi della Tuscia)
Denied rights in some artistic research in the post-Soviet area
