{"id":21,"date":"2022-08-17T19:09:06","date_gmt":"2022-08-17T17:09:06","guid":{"rendered":"https:\/\/svelareinvisibile.beniculturali.unipd.it\/?page_id=21"},"modified":"2022-11-11T15:51:23","modified_gmt":"2022-11-11T14:51:23","slug":"programma","status":"publish","type":"page","link":"https:\/\/svelareinvisibile.beniculturali.unipd.it\/en\/programma\/","title":{"rendered":"Programme"},"content":{"rendered":"\n

THURSDAY 17th NOVEMBER<\/strong><\/h2>\n\n\n\n

9.00 INSCRIPTION
9.30 INSTITUTIONAL GREETINGS
<\/p>\n\n\n\n

Prof. Jacopo BONETTO,<\/strong> Direttore Dipartimento dei Beni Culturali:
archeologia, storia dell\u2019arte, del cinema e della musica
Prof.ssa Federica TONIOLO<\/strong>, Coordinatrice Corso di Dottorato in Storia,
Critica e Conservazione dei Beni Culturali
Prof.ssa Monica SALVADORI<\/strong>, Vice Coordinatrice Corso di Dottorato in
Storia, Critica e Conservazione dei Beni Culturali e Prorettrice con delega
al Patrimonio artistico, storico e culturale<\/p>\n\n\n\n

PANEL<\/strong> 1
Beyond the surface: survey technologies and execution practices<\/strong><\/h1>\n\n\n\n

10:00 – Chair: Prof.ssa Maria PIETROGIOVANNA<\/strong><\/p>\n\n\n\n

Francesca Daniele, Fiorenza Redi <\/strong> (Universit\u00e0 degli Studi di Padova)
A possible history of atramentum<\/em>
Elisa Ercolin, Diego Elia, Patrizia Davit, Monica Gulmini <\/strong>(Universit\u00e0 degli Studi
di Torino)
Beyond the visible. An interdisciplinary approach for the reconstruction of the technology of production of black-glazed pottery from Locri Epizephyrii
Paola Improda<\/strong> (Universit\u00e0 degli Studi della Campania \u201cLuigi Vanvitelli\u201d)
Colantonio\u2019s underdrawing of paintings in the Capodimonte Museum
Federica Stella Mosimann <\/strong>(Universit\u00e0 degli Studi di Padova)
Beyond the visible: production processes and execution techniques revealed by some pictorial contexts from the Roman age<\/p>\n\n\n\n

11.30 COFFEE BREAK<\/p>\n\n\n\n

PANEL 2
Returning to knowledge: representations and reconstructions of invisible realities<\/strong><\/h1>\n\n\n\n


12.00 – Chair: Prof.ssa Elena RANDI<\/strong><\/p>\n\n\n\n

Rachele Angela Bernardello<\/strong> (Universit\u00e0 degli Studi di Padova)
Soft Boundaries. Techniques and methodologies to represent hypothesis about the cultural heritage
Marco Argentina<\/strong> (Universit\u00e0 degli Studi di Padova)
Decrypting signs to restore dance
Chiara Casarin<\/strong> (Universit\u00e0 degli Studi di Padova)
Defining the stylistic, formal, and aesthetic conception of Tartini\u2019s violin concertos: an opportunity to reconsider Dounias?<\/p>\n\n\n\n

13.00 DISCUSSION
13.30 LUNCH<\/p>\n\n\n\n

PANEL 3
Interpreting traces: stories of works and contexts<\/strong><\/h1>\n\n\n\n

15.00 – Chair: Prof. Sergio DURANTE<\/strong><\/p>\n\n\n\n

Clarissa Cammarata<\/strong> (Universit\u00e0 degli Studi di Trento)
Liturgical-musical interlacings between Torino and Asti: the antiphons Claviger regni coelorum <\/em>and Beati Joannis praecursoris<\/em>
Antonella Manca<\/strong> (Universit\u00e0 degli Studi di Udine)
Pacini\u2019s long lost autographs: three versions for a tenor\u2019s Scena e Aria
Francesca Cecconi<\/strong> (Universit\u00e0 degli Studi di Verona)
The many lives of a puppet: rediscovering a character<\/p>\n\n\n\n

16.00 COFFE BREAK<\/p>\n\n\n\n

PANEL 4
Sewing up the fragments:
rediscovering and enhancing works and places<\/strong><\/h1>\n\n\n\n

16.30 – Chair: Prof. Marsel GROSSO<\/strong><\/p>\n\n\n\n

Greta Plaitano<\/strong> (Universit\u00e0 degli Studi di Udine; Universit\u00e9 Sorbonne Nouvelle \u2013 Paris 3)
Photographic archives for the fine arts: the case of the Brera Academy of Fine Arts. Traces and paths to enhance a forgotten heritage
Andrea Chiocca <\/strong>(Universit\u00e0 degli Studi di Padova)
Casa Arslan in Padua: an \u201cunveiled\u201d decoration
Francesca Galasso<\/strong> (Universit\u00e0 degli Studi di Pavia)
In-Visible: the virtual fruition of lost places. Models, Settings and Digital Simulacra for the Memory Storytelling aimed at a shared experience of Heritage
Benedetta Colasanti<\/strong> (Universit\u00e0 degli Studi di Firenze)
Beyond the illusion: the machines of the Farnese theatre in Parma (1628). Sources for a virtual reconstruction<\/p>\n\n\n\n

18.00 DISCUSSION<\/p>\n\n\n\n

<\/p>\n\n\n\n

FRIDAY 18th NOVEMBER<\/strong><\/h2>\n\n\n\n

PANEL 5
Beyond borders: reading the relationship with otherness<\/strong><\/h1>\n\n\n\n

9.00 – Chair: Prof.ssa Marta NEZZO<\/strong><\/p>\n\n\n\n

Elisa Puppi <\/strong>(Universit\u00e0 Ca\u2019 Foscari)
Palazzo Zen (1533-1553): a gateway to the Orient in Venice
Federica Bosio<\/strong> (Universit\u00e0 degli Studi di Padova)
Fragments of Asia in Lamberto Vitali\u2019s collection 
Giulia Luciani <\/strong>(University College Cork)
French Women Orientalists in the Maghreb, 1899-1929: Uncovering the Hidden
Strategies of Colonial Orientalism
Rui Ji <\/strong>(Alma Mater Studiorum – Universit\u00e0 di Bologna)
China\u2019s participation in the Venice Biennale in the 1980s. Hidden Phenomena and Causes of Chinese Heterogeneity in Western Art History<\/p>\n\n\n\n

10.30 PAUSA CAFF\u00c9<\/p>\n\n\n\n

PANEL 6
Living in the landscape: unveiling the intertwining
between human community and environment<\/strong><\/h1>\n\n\n\n

11.00 – Chair: Prof.ssa Caterina PREVIATO<\/strong><\/p>\n\n\n\n

Mirko Fecchio, Maurizio Marinato <\/strong>(Universit\u00e0 degli Studi di Padova)
The invisible in the bones: paleodiet and paleoeconomy in the Early Medieval Rab
Francesca Tomei <\/strong>(University of Liverpool)
Unveiling the landscapes of the Greek rural world between agriculture and pottery
production
Agostino Sotgia <\/strong>(Universit\u00e0 di Roma \u201cLa Sapienza\u201d; University of Groningen)
From fields\u2026 to cities. Landscape archaeology\u2019s techniques to discover the ancient actions of the first urban communities
Pietro Agnoletto<\/strong> (Universit\u00e0 degli Studi di Milano-Bicocca)
New perspectives on home movie\u2019s analysis. Italian seascapes through the tourist\u2019s gaze
Ylenia Saretta<\/strong> (Universit\u00e0 degli Studi di Padova)
Transformations and structural interventions unveiled by seismic events: the case of the 2016 Central Italy earthquake<\/p>\n\n\n\n

13.00 DISCUSSION
13.30 LUNCH<\/p>\n\n\n\n

PANEL 7
On the margins: hidden realities and alternative histories<\/strong><\/h1>\n\n\n\n

15.00 – Chair: Prof. Guido BARTORELLI<\/strong><\/p>\n\n\n\n

Eliana Bridi <\/strong>(Universit\u00e0 degli Studi di Padova)
Beneath the surface: the sewage network of Roman Verona
Serena Bellotti <\/strong>(Universit\u00e0 degli Studi di Udine)
Beyond the Frame
Greta Boldorini <\/strong>(Universit\u00e0 degli Studi di Padova)
Carla Lonzi and the Nineties: Notes for a Forgotten History<\/p>\n\n\n\n

16.00 COFFEE BREAK<\/p>\n\n\n\n

Romina Zanon <\/strong>(Universit\u00e0 degli Studi di Padova)
The forgotten archive of Marcella Pedone: photographs and films of an identity journey through the landscapes of a lost Italy
Chiara Andreatta <\/strong>(Universit\u00e0 degli Studi di Padova)
Invisible artifacts and domestic worship: the terracotta arulae.<\/em> Two pompeian examples from the excavation at the upper level of the Sarno Bath Complex (VIII 2, 21)<\/p>\n\n\n\n

17.00 DISCUSSION<\/p>\n\n\n\n

POSTER DISCUSSION SESSION<\/strong><\/h1>\n\n\n\n

17.30-18.30<\/p>\n\n\n\n

Francesco Dragoni <\/strong>(Universit\u00e0 degli Studi di Bari \u201cAldo Moro\u201d)
Visual devices for specialist knowledge: from collecting to encyclopedism. A pictorial dictionary of musical life of every century and every nation<\/em> by Mario Bellucci La Salandra (1892-1966)
Anastasia Kozachenko-Stravinsky <\/strong>(Universit\u00e0 Ca\u2019 Foscari)
Igor Stravinsky\u2019s The Soldier\u2019s Tale<\/em> through time and meanings
Silvia Mascia<\/strong> (Universit\u00e0 degli Studi di Udine)
Archival findings: the Totalrama as a national widescreen shooting and projection system
Chiara Pupella <\/strong>(Universit\u00e0 Cattolica del Sacro Cuore di Milano)
Fortified medieval architecture and rural landscapes of power: the context of Alto Brembo in some case studies
Paola Ricchiuti <\/strong>(Universit\u00e0 degli Studi di Bergamo)
The invisible Labyrinth \u2013 The Church of San Savino in Piacenza\u00a0
Francesca Rigato<\/strong> (Universit\u00e0 degli Studi di Milano Statale)
Milan’s underground theatres in the late 19th century and the first half of the 20th century
Claudia Sorrentino<\/strong> (Universit\u00e0 degli Studi della Tuscia)
Stories of invisible archaeology. Discovery and recomposition of a Superintendence photographic archive
Gianantonio Urbani<\/strong> (Universit\u00e0 degli Studi di Padova)
Indagini di microarcheologia presso il monte Tabor in Israele
Francesca Vella <\/strong>(Universit\u00e0 degli Studi della Tuscia)
Denied rights in some artistic research in the post-Soviet area<\/p>\n\n\n\n

<\/object>SvelareInvisibile_Brochure<\/a>Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

THURSDAY 17th NOVEMBER 9.00 INSCRIPTION9.30 INSTITUTIONAL GREETINGS Prof. Jacopo BONETTO, Direttore Dipartimento dei Beni Culturali:archeologia, storia dell\u2019arte, del cinema e della musicaProf.ssa Federica TONIOLO, Coordinatrice Corso di Dottorato in Storia,Critica e Conservazione dei Beni CulturaliProf.ssa Monica SALVADORI, Vice Coordinatrice Corso di Dottorato inStoria, Critica e Conservazione dei Beni Culturali e Prorettrice con delegaal Patrimonio artistico, … <\/p>\n

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